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Frequently Asked Questions

 Q:  Would the engraving be filled-in and less distinct by the re-lacquering or the re-plating of my instrument?

 A:     We are extremely careful to in no way disturb or take away from the bell engraving.  The lacquer/plating that is applied will not fill in or cause the engraving to be any less distinct than that which is presently there.  We do offer re-trace hand engraving of the entire pattern if needed for an additional charge. This re-tracing will restore the entire engraved pattern to a factory fresh crisp appearance.

Q:  In doing research on this I've noticed that other shops are recommending not to re-lacquer but to leave it as raw brass, which you seem to discourage.  I would prefer to re-lacquer as long as my concerns above are addressed.

 A: I have address a few concerns some have with the raw brass finish which has gained popularity in recent years as follows: 

       For some time now there have been factory new professional brass instruments produced by musical instrument manufacturers offered in the "raw brass" finish.  These instruments are sold in their shiny new appearance and then, over time, oxidize to become the dull finish horns we occasionally see.  There are some issues that one should consider before selecting the "raw brass" finish.

        When restoring brass and nickel instruments the lacquer, silver-plating or 24k gold plating is applied not only for their beautiful appearances but these coatings act as protection against oxidation and wear.  If the instrument is left in raw brass one needs to keep in mind that the elements, as well as the acid from the player's own hands, will attack and pit the instrument and greatly decrease the life expectancy of your brass and or nickel instrument. 

       Also, the residue from this oxidation process can be absorbed into the player's metabolic system and may not be very healthy at all.  Some players have discovered that they are actually allergic to this brass oxidation residue.

        The Musical Instrument Repair Shop does, on the occasion of a customer's request, leave a brasswind restoration in the raw brass finish, but only after having advised of the possible negative effects.

    The Bach Stradivarius Company used to state on their web site that Bach instruments are not available in raw brass due to the possibility of hazardous brass poisoning.  

Q:  You do offer Black Nickel Plate Finish?

 A:  In the past we did offer the Black Nickel Plate finish, but due to unforeseen problems we discontinued the Black Nickel Plate.  We do have a picture  You may view the finishes that the Musical Instrument Repair Shop has to offer at

http://www.musical-instrument-repair-shop.com/finishes.htm

Q.  What is the process of your Complete Restoration?

A:  Within the process of our restoration the inside of an instrument is thoroughly cleaned with our acid baths.  Once cleaned we recommend valve oil be blown throughout the entire instrument as to prevent the reoccurrence of corrosion, pitting and mold build-ups internally.  Simply put approximately 10 drops of valve oil into the mouthpiece receiver each time the valves are oil, (every 2 to 3 hours of playing time) and blow the oil through the instrument.  This will coat the inside of your trumpet as a barrier to unwanted build-ups.  Cleaning once in a while with a trumpet snake, lukewarm water and some ammonia, then rinse thoroughly will also help a great deal.

Q:  What is the procedure for your Precision Valve Build and Re-fit?

 A:      Our Precision Valve Build and Re-fit involves a series of procedures as well as tooling specifically designed for this operation.  The first stage of this operation is the truing of the casings to assure a cylindrical smooth surface for the piston seat fit.  This truing process is performed with a valve casing adjustable honing reamer until the desired consistency is reached. 

     The next operation is the preparation of the pistons for the hard nickel electro-plating.  First there are chemical cleaning processes to remove any materials that may inhibit the adhesion of the hard nickel plating.  The pistons are machined to assure a consistent outside diameter the entire length of this part.  The specification of the exact outside diameter is measured from inside the valve casings  to determine the over-sizing dimension that must be achieved and this information is forwarded, along with the pistons, to the plater (Andersons) for the hard nickel electro-plating build process. 

       Upon the return from plating the over-sized pistons are machined and turned down to a point where they are ready for hand lapping, using a specific compound, into the prepared casings.  Each piston is individually re-fit to its corresponding casing to a overall tolerance of between .0005" and .001".  The instrument is then washed and rinsed thoroughly to remove all compounds and the pistons are assembled and installed for final play testing.

 

If you would like more information or have any questions please email us at

info@musical-instrument-repair-shop.com   

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